The article ‘The hidden dimensions of the musical field and the potential of the new social data‘, which I co-wrote with Mark Taylor, has now been published (open access) in the current issue of Sociological Research Online. In this piece we try to identify aspects of music that sociology might be missing and we use by-product data from the online music service to see if we can fill some of these gaps (this sits alongside my recent piece on music genre). The above image is one example of the types of visualisation that are currently being used to re-imagine music. This is the abstract for the piece:
This article seeks to highlight what might be thought of as the hidden dimensions of the musical field and explores the potential of digital by-product data for illuminating the aspects of musical taste and preference that are difficult to see with traditional social science methods. It suggests that the limitations of existing field analysis create what might be thought of as darkened areas of music consumption that may remain outside of the gaze of the interested social scientist. The paper briefly discusses some of the analytical problems associated with this lack of visibility. In response this article focuses upon the specific example of Last.fm and looks to make use of the by-product data that this particular website accumulates about individuals’ everyday music listening practices. From this specific example the article provides some substantive observations about the contemporary musical field and uses these to offer insights into the potentials and limitations of using by-product data in the analysis of (the musical) field. This article specifically questions the boundaries drawn around genre in the study of field, and looks at how these might be reported upon in alternative ways using new forms of data.
Thinking culture 